Ideal for captions and critical images: Thanks to the safe area marker, you will know which area of the screen is displayed on another output device. You will therefore see immediately whether subtitles, text, or other important image elements are in the visible area. So that the marker can be clearly seen in all images, you can change the marker colour.
In terms of the HLG and PQ tone curves, the CG279X meets the relevant standards for the display and processing of content in HDR (High Dynamic Range). The optimised gamma curves enable the content to closely resemble natural, human colour perception. Production and post-production professionals can count on a reliable representation with HDR tone curves for editing and colour grading.
Wide gamut – vivid colours in line with industry standards
The wide-gamut monitor reliably reproduces 98% of the DCI P3 standard used in digital cinema and also supports the Rec. 2020 standard. The CG279X also covers 99% of the Adobe RGB gamut. When images recorded in RAW format are converted to AdobeRGB, the monitor reproduces these with absolute colour fidelity. The EIZO monitor also offers great advantages for printing: It covers almost the entire CMYK gamut (ISO coated and U.S. Web Coated, for example). You see the later print result on screen and save yourself the proof stage.
Precise colour rendering thanks to high-resolution 3D look-up table
The 3D LUT provides for the most precise tone value allocation possible and extremely exact colour tone rendering, which is shown amongst other things in the grey scale. Brightness levels in relation to the image signal vary from module to module in LCDs and the colour mixture (addition) of red, green, and blue also varies. This can be exactly determined and controlled only with the aid of specific measuring devices. EIZO therefore configures all of its monitors in the CG series and its colours and tone value curve in the factory. This results in a consistent colour temperature over the entire grey scale. The result: The colour reproduction is equal, precise, and reliable across each individual CG279X monitor.
10 bit colour depth: a billion colours in the finest grades
Thanks to the 10 bit colour display based on a 16 bit LUT, you can utilize a huge colour spectrum. This is made possible by the rapid DisplayPort and HDMI connections in combination with the frame rate control. A billion colours at your fingertips simultaneously. That is 64 times more colours than with an 8 bit display. The colour gradations are finer and the colour differences between adjacent colours are smaller. The enhanced greyscale range is equally important for post-production. With the 10 bit greyscale range activated, between 6% and 14% more greyscales are visible.
Gamut presets for film and video production
Presets for the gamuts DCI P3, Rec. 709 and Rec. 2020 are precisely calibrated in the factory and ensure you work with the correct gamma values. Colour modes for PQ (DCI and Rec. 2100) and HLG (Rec. 2100) for the display of HDR content are also preset as factory defaults. Colour modes on the monitor can be easily changed at the touch of a key, and recalibrated when necessary using ColorNavigator.
Quick operation – even in dark rooms
Operation is easy and clear. The Button Guide, an overview function on the monitor, will show you the respective function keys above the control panel. The backlight keys mean that the monitor can even be used in dark environments. This is particularly helpful in dark post-production studios.
Stable brightness, no colour deviation
The alpha and omega for exact image editing: constant brightness and colour temperature. Patented electronics balance out brightness fluctuations that may arise due to extended periods of use and increased environmental and operating temperature. Thanks to a built-in thermometre, colour deviations caused by fluctuations in room temperature are eliminated and automatically reduced. The colour rendering remains absolutely constant over a long period of use, right from the start: because the warm-up time until brightness, colour, and tone values have completely stabilized is just three minutes.
Constant tone value over the entire screen
Digital Uniformity Equaliser (DUE) controls all tone values over the entire monitor, pixel by pixel. The effect: colour tones appear identical at each point on the screen, without the brightness fluctuations you experience in conventional LCDs. The DUE function also balances out the effects of fluctuations in ambient temperature on the colour temperature and brightness. You will enjoy consistently even luminance distribution and perfect colour purity. A real plus when touching-up images.
One monitor, many ports
It doesn’t get simpler than this: Most end devices, such as PCs, laptops or cameras, can be connected directly to the monitor, thanks to its wide range of interfaces.
The existing USB-C interface can be used for regular upstream data transfers as well as to transmit DisplayPort video signals and audio signals. This means a computer with a USB-C port can be easily connected with just the one cable. A USB-B interface is also available as another upstream port. On the USB downstream side, the CG279X has two USB Type B and two USB Type A ports.
The CG279X supports a wide range of video formats via a DisplayPort input and HDMI. As a result, the monitor can be integrated into PC-based workflows and be used with HDMI feeds.
Integrated sensor for self-calibration
An integrated calibration sensor ensures you achieve maximum colour accuracy. The sensor is perfectly aligned to the monitor, takes environmental influences such as light into account, and correlates the centre of the image with the edge of the image. This ensures an even result over the whole monitor.
The sensor is located in the bezel and is only extended when performing measurements. This means that no external calibration device is necessary, and the colour fidelity of the monitor is optimal at all times.
The CG279X is equipped with the latest sensor technology that enables recalibration during normal operation, allowing you to continue working with non-colour-critical applications while the monitor is calibrating. During calibration, the sensor only takes up a small area of the screen and does not present an obstacle. Calibration can also be performed fully automatically at definable times.
Professional hardware calibration
Good image processing is only possible on well-calibrated monitors. The usual software calibration takes a long time and requires the user to have a certain level of technical expertise. The CG279X is supplied with ColorNavigator 6 hardware calibration software. With ColorNavigator, you can perform calibration quickly, easily, and with excellent colour precision: During calibration, the software directly accesses and saves to the look-up-table in the monitor hardware. You determine the relevant components such as white balance, gamma, brightness, and tone value curve according to your requirements. Calibration then runs automatically based on the default set during production and is therefore unique in terms of precision and speed. This also means that calibration can be performed by users in just a few steps, with no need for in-depth technical knowledge. Because the calibration takes place via the monitor hardware, it is performed without loss and independently of the computer and graphics board. The CG279X can also be smoothly integrated into an existing system.
Learn more about ColorNavigator
Brightness levels in relation to the image signal vary from module to module in LCDs and therefore the colour mixture of red, green, and blue also varies. This can be exactly determined and controlled only with the aid of specific measuring devices. Therefore, EIZO configures the CG279X and its colours and tone curves with a widespread network of grid points and in each primary colour. This results in a consistent colour temperature over the entire grey scale.
The CG279X has a flexible base to adjust the height, tilt, and rotation and supports both portrait and landscape use. The monitor can be tailored to the user's needs. For example, he can set a sitting position that is ergonomic for him (e.g. lowered to the bottom) or a position to show clients and colleagues something on the screen.
Suitable for softproofing
The EIZO CG279X fulfills strict softproof requirements based on the draft ISO/CD 12646 standard. Fogra Forschungsgesellschaft Druck e.V. came to that conclusion in the course of testing the monitor. The CG279X was therefore awarded the Fogra "FograCert Softproof Monitor" seal of quality. You will therefore be working on a tested, colour-proof monitor.
The monitor hood reduces reflection and brightness on the screen and helps protect your eyes. It is easy to attach and reduces the amount of light that hits the screen from above and from the sides.
In addition to the high demands placed on production and materials, EIZO also places the emphasis on quality assurance in all areas..
From the date of purchase, the monitor is covered by a colour and brightness guarantee for up to 10,000 hours of monitor usage time. EIZO guarantees a brightness of 120 cd/sqm and a white balance of 5000 K to 6500 K..
Whether image processing, film and television production, prepress, or photography, whether for professional use or use at home – EIZO ColorEdge monitors impress with their exact and absolutely colour-accurate displays.
Homogeneous luminance distribution and good colour purity are key to achieving very accurate image rendering. The Digital Uniformity Equaliser (DUE) circuit takes care of this. It automatically corrects non-uniformities in terms of luminance and chrominance for all tone values across the entire image area – pixel by pixel.
When it comes to colour accuracy when working, how well a monitor can differentiate between colour tones is of fundamental importance. To achieve the maximum colour depth and prevent the formation of stripes, banding, and washing, EIZO relies on the ultimate perfection: a 16 bit look-up table (LUT) ensures precise colour resolution, meaning that even the finest structures in darker areas of the image are reproduced so that they are absolutely accurate in every detail.
Wide gamut designates a colour space that is considerably larger than the visible palette of conventional LCDs. Depending on the model, it covers up to 100% NTSC and 99% of the Adobe RGB colour space. The colours of these monitors bring about a realistic image quality that was previously impossible in LCDs.